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Play readings: Part of the process

October
2

new-orleans.JPGI went to a reading of a work in process last night at the Pelham Library. The invitation came from Cynthia Granville, who was artistic director at Blueberry Pond Theater Ensemble in Ossining and has moved on to a new company: The Supporting Characters.

Like Blueberry Pond, The Supporting Characters are committed to developing new works from lab readings and discussions. Granville adds another element, though, stressing that the process continues “through public performance.”

“We provide a fertile artistic ground with freedom to fail, freedom to experiment, and freedom to bring bold original work to life in a process which recognizes that a play is not complete until it is seen by an audience.”

Last night’s audience was small but attentive, listening to Lloyd Pace’s new play “New Orleans,” about a young girl and a long-ago event in a New Orleans hotel room.

The room was small, a smoke alarm of some kind kept going off, but the payoff was big for Pace and for his audience: Getting to hear a play that had a lot to offer.

For me, hearing 11-year-old Molly Callahan’s lilting approach to the dialogue was a high point. It was a family affair, to be sure, as Callahan is the daughter of actor Francis Callahan and Granville. Molly’s kid sister, Bonnie, was there, too.

“New Orleans” is a memory play, told by Buster, a woman now but played by Molly, since the events that transpired over the course of the play’s action froze her at that emotional age.

“Some of us don’t move on,” Buster says.

There is still work to do on the play, and that is precisely the point.

The next step is an Equity-approved showcase of “New Orleans,” opening Nov. 2 at 8 p.m. at the Producers Club, 358 W. 44th St.

Here’s the schedule: Nov. 3 and 4 at 3 p.m. and 8 p.m.; Nov. 7, 8 and 9 at 8 p.m.; Nov. 10 and 11 at 3 p.m. and 8 p.m.

Tickets are $18, available at www.theatermania.com or 212-352-3101.

This entry was posted on Tuesday, October 2nd, 2007 at 12:31 pm by Peter D. Kramer.
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2 Responses to “Play readings: Part of the process”

  1. Barry

    Its great to show support for such a difficult but rewarding endeavour. Thank you for coming to the reading and writing about it. The best part of this is the abitilty to participate in and help shape new theatre.

  2. Jocelyn Beard

    Karen’s After Dark is a collective of playwrights and actors dedicated to bringing life to new works and drinking lots of coffee. We meet every Monday night at 7pm at the Putnam Arts Council’s wonderful home in the Tilly Foster Farm located extrememly conveniently in Brewster, NY. A year or so after our first workshop, we are the proud survivors of several international one-act festivals (including the Wonderland and Samuel French Off-Broadway festivals) as well as a most triumphant weekend of our own one-acts that were performed on the hottest 2 nights of the year to enthusiastic, if not heat-addled audiences in Pawling, NY. Our core membership represents Putnam, Westchester, Fairfield and Dutchess counties, and many of our playwrights and actors are actively involved with other workshops and theatres. We currently have some space for new members – that’s a joke, there’s always room for one more at Karen’s – and interested parties are encouraged to contact Jocelyn Beard at jocelynbeard@mac.com.

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If it involves theater in any way -- from grade-schoolers learning Shakespeare to high school musicals to Broadway veterans getting into character -- this is the place to talk about it. We'll have audition notices, casting notices, mini-reviews and plenty of ideas to fill a theater junkie's to-do list.
About the Author
    Peter D. KramerPeter D. Kramer has loved theater his whole life. A Rockland County native and 19-year employee of The Journal News, Pete relishes his current role, alerting theater lovers to the possibilities and talking to artists young and old about their craft. A former actor, director, technical director, ticket-taker and bon vivant, Pete has put a theater life behind him, living vicariously through those he interviews.

    E-mail Peter

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